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It's true, I don't like the real world.
Richard Foreman
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If I wasn't in the theater, I would be a hermit.
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I've been trying to figure out for at least the last 10 years how to force myself into something more risky.
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I'm there to make a kind of theatrical music that is desperately missing in my life. And if other people don't like it, I'm very unhappy, but I can't do anything about that.
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I was enchanted by the escape into that meticulous world that seemed real yet not... well, it seemed not real, but very detailed and meticulous, bizarre.
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I realized that I had to be honest about where I was, where I was coming from, and what I was trying to do.
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I acted in junior high in the junior high school group, and then when I got into senior high I was, you know, the main actor of the senior high school.
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From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw absolutely everything in New York. Absolutely everything.
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Because even at the age of fifteen, I used to go see all the Broadway shows and feel that they were sentimental, that they were pandering to the audience and trying to manipulate the audience. I had no use for practically any of the shows that were hits.
Richard Foreman
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As I told you, from the time I was fifteen, I thought the theater was too much involved with actors trying to make the audience love them, being over emotional.
Richard Foreman
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All the dialogue on tape, and we'd play the tape in performance. Then I thought it'd be interesting if the actor's repeated what they heard on the tape, but at a slower speed, so we'd get a web of language.
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