Now Why Should The Cinema Follow The Forms Of Theater And Painting Rather Than The Methodology Of Language, Which Allows Wholly New Concepts Of Ideas To Arise From The Combination Of Two Concrete Denotations Of Two Concrete Objects?

Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?

Sergei Eisenstein

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Language is much closer to film than painting is.

Sergei Eisenstein

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For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation.

Sergei Eisenstein

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Even in a less exaggerated description, any verbal account of a person is bound to find itself employing an assortment of waterfalls, lightning rods, landscapes, birds, etc.

Sergei Eisenstein

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