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I'm always moving forward.
I use something that is a real staple in the directing world. It's called a dance floor. You lay it down so that it's so smooth you can roll around, and you can put furniture on top of it. It's seamless and you don't see it.
I got my dailies every day, although I couldn't always look at them because I was usually preparing for the next day's shoot, both as an actress and as the director.
I didn't need the insurance. I do it again if my DP tells me it didn't look good in the camera or if the actors didn't hit their marks. But if everything was working why do it again?
I design my shots. I walk the rehearsal as the camera and say 'this is where I want to be... I want this look.
Everything has to be well thought out - what do you really need, when can you do with less coverage.
Even when you have a big budget, you can't just shoot everything.
But out of limitations comes creativity.
But it was not possible to do this movie, in this matter of time, without a solid rehearsal period.
As far as pacing the shoot is concerned, I know when I've got it. I don't think there's any reason to take ten takes unless you need them.
A director just pushes them a little this way or that way.
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