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I'm lucky enough that directors sometimes seek me out for little projects that people don't even know about, that just surface later on.
I'm interested in flawed protagonists. I was raised on them.
I was raised by an actress, and I watched all those women turn 60 and ask, Shouldn't get face work? My mother and Anne Bancroft said, We're not going to fall into that.
I wanted to go to Jupiter. That was my plan from day one, and David Lynch gave me the ticket.
I really don't consider myself to be a conventional Hollywood star. I've never really been marketed by the big studios to do mass market box office films.
I made a commitment to myself; that I wanted to be an actress, and I wanted to do films that make a difference. It has to move people.
I like movies about longing and desperation, and dark and light things, stories about people struggling to raise children, and to have relationships and be intimate with each other.
I knew you had to go in and audition and maybe they'd hire you, and that's where you start. I had a good understanding about press: that it's the actor's responsibility to publicize his or her films.
I hope we can be consummate artists as women or revolutionaries, or whatever women want to be, and also have love, not only for ourselves but from a partner.
I don't turn my nose up at anything. If it's a great part, it's a great part. I'd love to do a box-office hit.
I left our home to work on a movie, and while I was away, my boyfriend [Billy Bob Thorton] got married, and I've never heard from him again.
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