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I've always wanted to introduce hip-hop filmmaking to film. There's hip-hop art, dance, music, but there really isn't hip-hop film. So I was trying to do that.
I'm not a comic book guy at all.
I'm Godless. I've had to make my God, and my God is narrative filmmaking.
I was a TV junkie as a kid. I am the Sesame Street generation.
I only want to work with actors that really get it and make it work. I didn't want it to be a star-driven thing anymore.
I hope that Requiem is better than Pi. I hope that Pi is better than my student films, and I'm hoping that I'm getting better as I get older.
I couldn't sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.
Comic books and graphic novels are a great medium. It's incredibly underused.
Casting ethnic characters is a very hard thing to do, but it's important. It's also interesting.
At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
As filmmakers, we can show where a person's mind goes, as opposed to theater, which is more to sit back and watch it.
Animators have to live life 24 times as long as we do - every 24 frames of a second.
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