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I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.
I'm a huge fan of world cinema, because each country uses cinema in a very individual way.
I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.
I want the score to have a really big voice.
I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.
I play piano and trumpet. I studied classical guitar.
I might have a guitar or a piano on set to play something for the actors.
I like to work my camera as if it were a musical instrument.
I had no plans to be a director.
I am intrigued enough to want to continue, and also to try and work with companies like Sony on modifying the cameras and making them more user-friendly and efficient.
Films take up so much time, and with theatre, you do have to plan a period of time that you can be free.
Each film is different. Time Code was very quick - a matter of months. Miss Julie has been on my shelf as a script for some seven or eight years. But then the shooting process was very quick - 16 days.
But I don't have such a strong desire to need to get away from filmmaking.
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