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I've lived most of my life in Manhattan, but as close as Brooklyn is to Manhattan, there are people who live there who have been to Manhattan maybe once or twice.
I wanted to work on this central problem of killing. How you go about killing. Now, in the film I had to kill my children - well, I didn't want to get that far.
I think that the change began... I made a film a few years ago called The Spitfire Grill, and that didn't make much money either, but it was a good film and an independent film.
I talked to women who lived there, to get their speech patterns and outlook on life - and how narrow that is.
I sketched out a rough story for them and the director said, well it's a good story but we have the go-ahead from Universal to make this script and did I want to do it. I said no, and they left.
I do like to work with young directors because it's such a difficult business that I think after directors have been around a while sometimes, not always, but sometimes their passion gets siphoned off because they get hurt.
I did my famous cabbage soup diet, so I was able to do it.
I couldn't kill a chicken, I couldn't kill a cow - I was a vegetarian too at that time - so I thought, well what is there that I could kill? I couldn't kill this and I couldn't kill that.
I always wanted to play Joan of Arc. I've always wanted to do that. Now I'm thinking, 'Maybe there's a story in Joan of Arc's mother!' If I don't hurry up, her grandmother!
Cute Missing You
I Love You For Him
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