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I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.
I've just taken the decision that I'm going to now go full time back into the theater.
I've experienced a private doubt, something that I've kept deeply inside, and then eventually delivered a piece of work that people responded to with huge enthusiasm.
I would be terribly disappointed if anything would get in the way of my being cast in something, or if performances were canceled. It was a fix that I obviously needed.
I tend to arrive in the rehearsal process with very strongly developed ideas about what I want to do. But I don't like those ideas to be things that are not subject to change, or subject to development, or subject to challenge.
I so wanted to perform, and I grasped every opportunity.
I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the actor and the audience.
I always believe it's better to have 30 imaginations working on a project, rather than one imagination telling the other 29 what to do.
A lot of performing instincts are involved in the business of direction, but so is analysis and having a sense of literature.
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