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I enjoy working in a quiet and subversive way.
I did tests on small stones before collecting and committing myself to the larger ones.
I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
Fire is the origin of stone.By working the stone with heat, I am returning it to its source.
Even in winter an isolated patch of snow has a special quality.
Confrontation is something that I accept as part of the project though not its purpose.
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.
Abandoning the project was incredibly stressful after having gone through the process of building the room, installing the kiln, collecting the stones, sitting with the kiln day and night as it came to temperature, experiencing the failures.
A stone is ingrained with geological and historical memories.
A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for feelings and ideas that function on many levels.
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