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I have a natural swagger.
I don't want to stop acting, but acting in some ways is a young man's game.
I don't read my own reviews and I haven't for probably 15 years. I read other people's reviews, though.
I don't have to do the lead. If I dig a part, I'll do it.
I do struggle with how much and in which way, as an artist or celebrity, that you voice your political views.
I do better on the first three takes; I won't be better at 20 takes.
I didn't get into this so I could talk about my work, my movies. You become an actor to act.
I always wanted, and still aspire, to be something more than just one thing, just one performance.
Gary Oldman is impossible to steal a movie from. He's such a great actor, he's off the hook. I love him.
Critics can be your most important friend. I don't read criticism of my stuff only because when it's bad, it's rough-and when it's good, it's not good enough.
Clint Eastwood has always been a hero.
Before Footloose, the things I'd done weren't cute. In Diner I was an alcoholic.
As I was coming up on the stage, there was one source that could make or break you, the New York Times. Inevitably there would be one actor singled out for a better review, or worse, than somebody else. The effect of that was cancerous, divisive.
Criticism Of Others
Trust No One
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