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I learned to write fiction the way I learned to read fiction - by skipping the parts that bored me.
I keep one simple rule that I only move in one direction - I write the book straight through from beginning to end. By following time's arrow, I keep myself sane.
I just noticed recently that in one book after another I seem to find an excuse to find some character who, to put it idiotically simply, is allowed to talk crazy.
I had always wanted to be a writer who confused genre boundaries and who was read in multiple contexts.
I grew up with an artist father, and my parents' friends were also mainly artists or writers, so he connects what I do with his example.
I got into underground comics fairly early on and kind of wandered away from the superhero stuff, but I was an art student and I was drawing a lot as a kid.
I don't paint anymore. I haven't since I abandoned it at 19, in order to begin writing seriously.
I can't bear the silent ringing in my skull.
Fantastic writing in English is kind of disreputable, but fantastic writing in translation is the summit.
Discomfort is very much part of my master plan.
Comics? Honestly, that's more a matter of nostalgia for me. I think most of that energy has gone to my love of literature and my love of film.
Being In Love With Your Best Friend
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