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I love working with the quartet. I have more freedom and flexibility.
I love all kinds of music.
I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.
I felt that, in retrospect, there was a time in the late Seventies, after I had a string of hits and successes, as a performer and a recording artist, that I wasn't saying anything.
I feel fortunate that I was able to step away from it when I wasn't interested.
I am not a jazz singer. I wouldn't place myself on that footing. I wouldn't even enter that arena.
From the time I moved to San Francisco in 1967 to play with the Steve Miller Band, there was a lot of support in the music community for one cause or another, but this one was special because it was put on by people who understood where musicians' hearts are.
As far as other instrumentalists, I used to love mellow sax players like Paul Desmond. I love piano.
As a guitar player, you can gravitate to the blues because you can play it easily. It's not a style that's difficult to pick up. It's purely emotive and dead easy to get a start with.
A lot of what I have always done is do other singers.
You seldom get that in film where you're lucky if you get any say at all in the final cut.
With a theatre audience there's always the additional sense of a sustained challenge of which I'm acutely aware and for which you need to have the tools ready - your voice, physicality, brain.
Two people can make love but that isn't necessarily love.
Being In Love
Give Me Strength
Trust In God
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