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I never thought of myself as either a woman or a man. I thought of myself as a person who was born to a writer, who was doomed to be a writer.
I never fantasized or invented a thing, not one thing. I knew every single thing I ever wrote about.
I knew Anais Nin, who called me after I had been away for a few years. She was seeking help because at that time no one would give her a decent review. She was made fun of.
I don't believe there can be a poetic novel without political consciousness. I have a strong political conscience.
I believe that all my work explores the human desire or obsession for utopias, and the structure of all my works is the search for utopias lost and rediscovered.
Dreiser... I love... and almost wouldn't speak to anyone who ever attacked him.
At the age of 18 all young poets are sure they will be dead at 21 - of old age.
All the books I have written have been one book, from the beginning.
All my writing is about the recognition that there is no single reality. But the beauty of it is that you nevertheless go on, walking towards utopia, which may not exist, on a bridge which might end before you reach the other side.
All creatures are flawed, but out of the flaw may come the universe.
A lawyer I once knew told me of a strange case, a suffragette who had never married. After her death, he opened her trunk and discovered 50 wedding gowns.
A good writer cannot avoid having social consciousness. I don't mean this about small pieces of writing, but about a big book. If it's a big book, there has to be more than one undertow.
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