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I only ever worked on interiors, and an interior is an interior. I don't know what they did about exteriors.
I love my accent, I thought it was useful in Gone In 60 Seconds because the standard villain is upper class or Cockney. My Northern accent would be an odd clash opposite Nic Cage.
I love Dead Ringers. A democratic set, the work was taken seriously.
I know exactly where I've come from, I know exactly who my mum and dad are.
I heard the various terms of abuse at school and probably indulged them in the way you do as a kid.
I had to help to coax the performances and I really enjoyed that extra responsibility.
I had bags of energy as a kid.
I got a tiny part in a play, auditioned for another one and got that as well. Not only that, the first finished on the Saturday and the other started on the Monday which is like an actor's dream!
I don't see a lot of films. I'm quite choosy, but there's certain films that stick out.
I don't like to watch playback. But being on the set, watching the way the camera is being moved and the way the light is being used, you do get an idea of it.
I care more about telly because it made me an actor and there's a much more immediate response to TV. You can address the political or cultural fabric of your country.
Any horror element is as much psychological as special effects.
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