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I think I am an adult.
I really feel that the talent I have is acting. Freedom and the possibility of play-that is what I like to have.
I love being in my garden. I don't plant a lot of exotic flora, but I do spend a lot of time outside doing manual labour.
I have watched people who have nothing to do with the film business, but who have become part of the circle for a short period of time. They can be truly devastated when the film wraps and people leave.
I have never given up on men easily.
I have an intense obsession with making films. I not only love to make films, I perhaps need to make films.
I have always watched the rushes, and have learned more because I have done so, because you can have all manner of ideas in your head, but they have to end up on the screen.
I don't come in with any preconceived ideas, and although I will have done some preparation, I can go which way the director wants.
I could never have conceived that I would ever get to work in a Truffaut film. It was astonishing to me, and still is. I felt like an old pro, but it was still so unexpected.
I can't believe I've been doing it so long. In the last three or four years, I've slowed down. I'm doing only the roles I really want to do.
I am a great lover of art, in many forms: paintings, objets, textiles. I don't have the talent for painting, but I have a very good sense of colour, a love of visual beauty.
Being around people with whom you feel a connection, on many levels, not just a professional one, is very relaxing. Your ears are more open to someone who is not a cantankerous bastard.
At the time, 1980, people regarded actresses involved with production with a certain amount of fear, resentment and anger.
Two Faced People
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