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I think that, in comparison, New Yorkers and Northerners are so guarded.
I think taking design out of the studio and really having a relationship with the people that you're making it for really convinced me of how powerful a thing design is. It's not just an aesthetic decoration.
I had the idea for the show like a year and a half, two years ago. And it was all about the things that I didn't like about TV. I was trying to create a positive solution for it. And it actually worked.
I had been to the South many times and I thought I knew what the South was, but not until you live with people and live through their lives do you know what it's really about.
Design can have such a positive impact on the way people live and on their relationships and moods.
But instead of that stuff you get relationships with people and neighbors that you would never get in a city. People in small towns are a lot more open.
Being on Oprah? You realize that there are a couple of types of audience members. There are like the cult people in the audience who are just crying before she gets on. And then there are the people who are playing it cool. I definitely was somewhere in the middle.
And the relationships that happen become so intense, deep, involved and complex and really hard to say goodbye to. The hardest part of the show is saying goodbye when it's all done. It really breaks you.
I Love You
Long Distance Relationship
Thinking Of You
Waiting For Love
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