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I think that you can fall into bad habits with comedy... It's a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
I think that various styles and methods and approaches are an invention of people who don't understand the process of acting and who try very hard to label things.
I think that most actors, and they're a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it's such an extraordinary part of our lives.
I think Romeo and Juliet is uplifting. That's how much a son wishes to avenge his father. That is how much two young people can love each other.
I think if I were to go back on stage I might be in great danger of acting.
I think I'm more bonded, emotionally and in a craft sense, to films that tell extraordinary stories about extraordinary destinies.
I just loved playing a man who was unafraid of making an idiot of himself in the process of falling in love. I found that admirable.
I honestly have no strategy whatsoever. I'm waiting for that script to pop through the letterbox and completely surprise me.
I have never felt bereft of anything.
I have a rather naive approach, I think, to my job.
I don't honestly think people know what acting is.
I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
Being A Man
Forget The Past
Two Faced People
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