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I wanted to do Dreamgirls. If they're doing a stage production of Sparkle, I think that would be hot.
I think the inspiration came from the fans. Whenever I'm online or whenever I get a chance to really communicate with the fans and the audience, they always say that they would love to have all of the remixes on one CD.
I think it's his perception of knowing how to make a record build, keeping the integrity of the song in the music and really adding a lot of musical elements to compliment my voice and to compliment the song.
I think differently, I think it's about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that's great. If I could do a classical version, that'll be great too. It's all just about expression.
I really think about the times that I've been through with my husband and all the stuff that we've been through together, and I think to those moments for inspiration for the role.
I really connect with those moments of doing missionary work down there and just seeing the people that are dying from disease and hunger and malnutrition.
I prefer Princess. I would love to be known as a diva later on in life when I've had far more experiences.
I picked up the Joss Stone album, Josh Groban, and the new Norah Jones. I love, love, love Norah.
I never take on anything that is just for the money or just for, you know. I always have to connect with it in a very personal way because I believe the audience will sense whether I'm into it or not, so I don't take on projects that I'm not really passionate about.
I have two favorite songs. My first is called 'Dance of The Robe' and it's a very powerful number where she is feeling the pressure from her people to take on the responsibility of leading them.
I had this instinct and I just knew it. It was a very strange thing and as soon as I finished recording it, we were all in the studio saying we have something really special here.
I always thought that it was every performer's dream. That's the epitome of being an artist, being able to express song, dance and acting in a live theatre setting and really connecting with an audience on that level.
He doesn't make it so complicated but just really allows the lyric to come through even though there's a lot of production going on. I think that's the key and that's the magic, it's making sure that people could still connect with the lyrics while they're on the dance floor.
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