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I was trying to write an autobiography using prints and patterns that reference emotional, psychological, and personal development in my work, as a person growing up, figuring out who I was. I used fabrics to stand in for occurrences.
I was feeling a strong need to change, grow, and break with particular things that were going on in my life and my history, and the material was the perfect answer for that.
I think young people have a wonderful reaction to color because it's not screwed up by too many references.
I think that some works are more accessible than others.
I move very slowly. It's usually material first. I sit with the material for a long time.
However, some of my work is very subtle, and one should expect very subtle reactions to it.
For a while, I thought a lot about lineage. Where do I belong? Who am I standing next to?
Color is for me the purest form of expression, the purest abstract reality.
Color is an intense experience on its own.
But most people don't come up to me and express a lot of emotion.
As a viewer, my own work elicits strong emotional reaction from me.
When I make art, I think about its ability to connect with others, to bring them into the process.
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