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I went being unemployed for three years to being the lead in a British feature in the days when we only made two a year, 1990. It was ridiculous really.
I wasn't always such a great fan of Shakespeare, mind you. I can guess we all at one time had it rammed down our necks at school, which tends to take the edge off it.
I want to direct but I think I'd be bloody awful and I don't want to produce but I think I'd be a very good producer because if I believed in something I'd be able to protect it.
I used my instincts. It's very easy to imagine how you'd feel, actually. I just had to tell the narrative.
I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul.
I think the themes of belonging and parentage and love are obviously universal.
I think film and television are really a director's medium, whereas theatre is the actor's medium.
I only ever worked on interiors, and an interior is an interior. I don't know what they did about exteriors.
I love my accent, I thought it was useful in Gone In 60 Seconds because the standard villain is upper class or Cockney. My Northern accent would be an odd clash opposite Nic Cage.
I love Dead Ringers. A democratic set, the work was taken seriously.
I know exactly where I've come from, I know exactly who my mum and dad are.
I heard the various terms of abuse at school and probably indulged them in the way you do as a kid.
I had to help to coax the performances and I really enjoyed that extra responsibility.
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