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I worked with my son when he was much younger; we did L.A. Law together, where I played his father and he played a kid who was suing his father for alienation of affection or something. It was great.
I really do the conventions now for two reasons.
I love the fact that it's not only about Star Trek, but about science fiction in general, and science.
I just wait for something to present itself, and then I consider it.
I don't really think of Odo as a heroic lead, but that's nice if you do.
I did a voice for Odo, but people don't recognize you by your voice.
I came out of repertory theater, where I worked 50 weeks a year, and I loved working with the people.
How many times can you put together 26 different stories without running out?
At this point we've answered about every question you could possibly imagine about Deep Space Nine, so we do this thing called Theatrical Jazz, where we do a show of bits and pieces of things from plays and literature, poetry... stuff that we like. It's fun.
And so I've always been fascinated by the technical end of theater, and a lot of my closest friends are not actors, but in the other end of the business.
And my father, being a good Swiss puritan, always really insisted that if I was going to be an actor, I shouldn't just be an actor, I should know about the whole process.
Forgive And Forget
Friends With Benefits
I Dont Give A Fuck
Im The Shit
Martin Luther King
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