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I would love to see some comedies about loser women.
I like being a Baha'i who has an out-there sense of humor. God gives us talents and faculties, and making people laugh is one of mine.
I don't want to sound pretentious, but I love art, I like to go to museums, and I like to read books.
Music is universal too. Even deaf people like to dance, love rhythm, and can kind of pick it up.
My dad wanted to name me after Rainier Maria Rilke, the poet.
I'm about as big a star as the Baha'i faith has got, which is pretty pathetic.
I think definitely people know me from playing creeps and weirdos, and I'm definitely looking to expand my range.
I came to realize I did believe in God. I couldn't conceive of a universe without someone overseeing it in a compassionate way.
I think that charity is a tricky thing, because a lot of times, people equate charity with handouts. I don't believe in handouts.
This is a very different show than any I've worked on before. We work sixty-hour weeks. I work 6AM to 6PM because we are all in almost every scene. Even if there's a scene at the reception desk or there's a scene in Michael's office, we're in the background or passing through, walking through. We're creating that office environment; we're always around so it's very demanding. We also have very little lighting set-ups. They'll just shift a fluorescent light or two between scenes and we just do tons of takes. So the best thing about the show is that the writers are brilliant and the writing is very sharp and very smart. All you need to do is make the writing work but because you're doing so many takes and we have such a great ensemble, you can go anyway that you want to go with it. Once we've gotten it down, you can improvise and change it around and bring in stuff, and add stuff all you want. There is a lot of improvisation on the show. A lot of times we will have a scene and then just keep going. And we do it time and time again. We just keep going, and keep going and keep going and a lot of times that stuff at the end of the scene actually becomes the scene.
I learned a ton from Joe...He'd allow you to do anything you wanted in rehearsal. You could do handstands while doing your lines. He just wants you to explode and explore it. Then he'll guide you and help you focus in like a laser on what the character's journey is.
If we're going to sustain 22 episodes a year for the next 10 years, we need that ensemble to fill out the office.
I've worked in many offices myself, yes. I get paid a little bit more than the six dollars and twenty five cents an hour I got when I worked at the Multiple Sclerosis Society of New Yorkfirst as a receptionist, then an assistant office manager, then an assistant in events coordination. But I was let go. I was fired by my boss because he literally said to me, 'I want someone to work for me who when I say 'jump' says 'how high.' He literally said that cliché with a straight face. And the ironic thing is so many of the people that worked there went around in those little wheelie carts, so they couldn't jump at all.
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