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If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.
I'm seventy-one now, so it's hard to imagine a dramatic change.
I'm saying look, here they come, pay attention. Let your eyes transform what appears ordinary, commonplace, into what it is, a moment in time, an observed fragment of eternity.
I'm afraid we live at the mercy of a power, maybe a God, without mercy. And yet we find it, as I have, from others.
I write what's given me to write.
I was very lucky to have a mother who encouraged me to become a poet.
I started listening to music when I wrote when I had three sons at home.
I realized poetry's the thing that I can do 'cause I can stick at it and work with tremendous intensity.
I listen to jazz about three hours a day. I love Louis Armstrong.
I have a sense that many Americans, especially those like me with European or foreign parents, feel they have to invent their families just as they have to invent themselves.
For sure I once thought of myself as the poet who would save the ordinary from oblivion.
But most commonly, it's one poem that I work on with a lot of intensity.
But I'm too old to be written about as a young poet.
50 Year Old Birthday
Relationship With God
Beautiful Strong Powerful Believe In Yourself
Finding A Wife
Forgiving An Enemy Is Easier
Girls That Hateate
Long Birthday Wishes
Longing For Familyholl
Missing You On Y
Sister And Jiju
Slogans On Lamp(diya) In Hindi
Thank You My Aunt
Thinks To My Love
Undreamt Ofndreamt Of
Ungrateful Peopleul People
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