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In 1958, I decided that I was going to live in Europe permanently. So in 1959 I moved to Lugano, Switzerland.
If you look at my audiences, even in Europe, they're hardly teenagers.
If I were to put on Barbra Streisand and Duke Ellington, one might say the combination isn't good.
I'm talking as a professional impresario. I'm not judging anybody at all.
I'm concerned with trend. I don't know where jazz fans will come from 20 years from now.
I still continue to do at least four concert tours a year, and in many cases, as many as six.
I made it easier for many artists to play in certain areas.
I find myself more at peace when I live in Europe.
I don't want to sound as if I'm doing something tremendously special. But I am a jazz fan.
I don't think that jazz, as any kind of an art form, has any permanence attached to it, apart from the practitioners of it.
I don't think I will ever do any tours again in the United States. I rather think that that's over with.
I don't say that the supposed Civil Rights development is a myth, but it's a matter of dealing with reality. It's purely peripheral and, in many cases, it's just a facade.
I don't know who's 18 years old today that, 20 years hence, is going to be a jazz fan.
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