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In France, you can sell a lot, but nobody outside of France ever hears of it.
Immediately after the Floyd experience, I became a pop record producer.
I'm delighted about the track's success in the sports world, but the frustrating thing is, I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.
I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines. It was a real education, going right from the consumer end to the record factory.
I started in a research lab for TV cameras, then I worked at a tape duplication facility. That was the first introduction for me to recorded music and hi-fi.
I had the honor of speaking with Asimov. The album ended up being something not directly related to Asimov, but related instead to the concept of the power of robotics.
Folk rock was my real roots. I did a few gigs as a folk artist, in the style of Fairport Convention.
Any effects created before 1975 were done with either tape or echo chambers or some kind of acoustic treatment. No magic black boxes!
Be True To Yourself
Being In Love With Your Best Friend
Keeping It Real
Pushing People Away
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