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In fact it's quite gratifying for me to see some of the people who really objected to this method of working now being quite so profligate in their use of it.
I've always liked the effect of having somebody in there who hadn't the faintest idea what was going on.
I'm not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.
I wouldn't want to be ideological about it but I think of it as being the best way to approach this kind of playing. I don't think it works in other music, other kinds of playing.
I think the blues is fine for blues players, but free blues has never made much sense to me.
I think playing solo is a second rate activity, really. For me, playing is about playing with other people.
I like duos with percussionists. I like the songs that percussionists sing.
I have always been attracted to the cottage industry side of this business.
I don't research anything.
I am reactive.
For me, playing is about playing with other people.
For me, Company is still the best way for me to work.
Even if it is difficult playing with other people - sometimes it's great, sometimes it isn't, but that is kind of the point of it. It loses its point playing solo.
Criticism Of Others
Pick Up Lines
Trust No One
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