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It's sad - it's sad for us old enough to remember when directors ruled, and films were substantially better than they are today. But it's hard to argue with those kinds of grosses.
It's kind of interesting to be a director who is all of a sudden being an actor playing an agent. This is my whole world!
It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at.
It always amazed me that he was able to do it, and that Orson Welles was able to do it. I never understood it because the talents are absolutely opposite - polar opposites.
I long for the days when grosses were not even known. There was no weekend competition.
I don't know a lot of agents like Al Hack.
He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture.
He was a psychotic. He was a borderline psychotic. He was a terrific, sensational actor, with a magical screen presence, you couldn't keep your eyes off him, but he was paranoid. He was sure everybody was out to get him.
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