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It doesn't look great if you cancel the reigning Best Comedy Program, you know, you're gonna take a hit from a... from sort of a public relations standpoint.
I mean, I gotta say one of the greatest victories on that show was when we got picked up for the back nine of the first season, and they made it a full order.
But since day one, we've always been kinda up against it. So at the end, it's not surprising that we were kind of led along for so many months and didn't know what the fate of the show was gonna be. It was... in a weird way, just kind of that was the way it's always been.
But as a result of that, there was, once the show ended, there was this talk for sort of four, five months about what was going to happen, and if we were going to move to Showtime, and if we were going to be bought by ABC or whatever.
Because I think a lot of people felt like, ultimately - and this isn't the first time I've said this, so I'll bore you again with it - but ultimately it was... I think it felt like homework a bit for people.
Arrested Development opened a lot of doors for me.
And we... right from moment one, we were always kinda up against the wall a little bit when it came to the future of the show. There were always rumors.
And then we've got Blades of Glory, and we've got Brothers Solomon, and I've got a script in development with this guy Chuck Martin who used to write on Arrested, and, you know, we have a few things in various stages of development.
And I think that at a certain point, after all the time and all the conjecture and everything that had kind of gone on surrounding this show, I think that Mitch just felt like it was time to let it go. It was best for the show.
Being A Girl
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