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It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians.
I'm very learning-disabled, and I think it drove me to what I'm doing.
I'm plagued with indecision in my life. I can't figure out what to order in a restaurant.
I wanted to translate from one flat surface to another. In fact, my learning disabilities controlled a lot of things. I don't recognize faces, so I'm sure it's what drove me to portraits in the first place.
I think most paintings are a record of the decisions that the artist made. I just perhaps make them a little clearer than some people have.
I discovered about 150 dots is the minimum number of dots to make a specific recognizable person. You can make something that looks like a head, with fewer dots, but you won't be able to give much information about who it is.
I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings.
I always thought that one of the reasons why a painter likes especially to have other painters look at his or her work is the shared experience of having pushed paint around.
All the fingerprint paintings are done without a grid.
Death And Dying
Doing Your Best
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