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It is not very practical in today's world when you tour all over the place having a big band.
It accumulates over the years and I've led so many bands of my own now and forced myself into new situations... You would hope that you play better and better - until you just get too feeble to do it anymore.
In The Police, in a trio situation - which I've come back to now - it's just so wide open that it does actually provide this arena where you can play with a certain freedom.
If you're a guitarist, you should not be intimidated by using your instrument as a synthesizer, but you shouldn't feel that you have to own one, either.
If the guitar synthesizer is really going to stand as a synthesizer on its own, it needs to develop a more characteristic sound; I don' think it's gotten there yet.
If I'm playing a violin thing, for instance, I tend to respond to that sound with the way I finger.
I've got four or five records in my head at a time that I try to work on and I would like to do a guitar trio record next - since The Police I've mostly made records with keyboards.
I'm just trying to avoid any sort of generic kind of music - I don't want to do generic jazz or fusion.
I'm better for it and I prefer to keep things simple and see what sounds I can get out of my head and hands rather than relying on a sound that someone else created.
I would like to play with electronic keyboards again.
I was totally into jazz in my teens.
I think we are coming to a new era where people will record much faster.
I think rock records tend to be very expensive.
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