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It was my family that wanted me to be a teacher. That was safe, you see. To be a painter was terrible.
It is not so for art in appreciation because art is concerned with human behavior. And science is concerned with the behavior of metal or energy. It depends on what the fashion is. Now today it's energy. It's the same soul behind it. The same soul, you see.
Instead of art I have taught philosophy. Though technique for me is a big word, I never have taught how to paint. All my doing was to make people to see.
In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art.
In Italy the artist is a god. Now if the artist is a god, the scientist is likewise a god.
If you don't do it my way, I suggest you commit suicide.
I've handled colour as a man should behave. You may conclude that I consider ethics and aesthetics as one.
I'm not a talker. I'm a formulator.
I went to the Academy and studied with Stuck who was then a big man. But didn't interest me. I didn't know that before me there was Kandinsky and Klee who had also studied with Stuck. He had a good name at that time.
I was for years in the yellow period, you know.
I was at the Royal Art School. That was a preparatory school specially for art teachers. You see, it was not so much for the development of artists. But we had there terribly stiff training.
I prefer to see with closed eyes.
I love very much to draw animals.
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