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It would be great to make a movie that had the style of a great '30's film.
I've always loved film more than theater.
I'm lucky enough that directors sometimes seek me out for little projects that people don't even know about, that just surface later on.
I'm interested in flawed protagonists. I was raised on them.
I was raised by an actress, and I watched all those women turn 60 and ask, Shouldn't get face work? My mother and Anne Bancroft said, We're not going to fall into that.
I wanted to go to Jupiter. That was my plan from day one, and David Lynch gave me the ticket.
I really don't consider myself to be a conventional Hollywood star. I've never really been marketed by the big studios to do mass market box office films.
I made a commitment to myself; that I wanted to be an actress, and I wanted to do films that make a difference. It has to move people.
I like movies about longing and desperation, and dark and light things, stories about people struggling to raise children, and to have relationships and be intimate with each other.
I knew you had to go in and audition and maybe they'd hire you, and that's where you start. I had a good understanding about press: that it's the actor's responsibility to publicize his or her films.
I hope we can be consummate artists as women or revolutionaries, or whatever women want to be, and also have love, not only for ourselves but from a partner.
I don't turn my nose up at anything. If it's a great part, it's a great part. I'd love to do a box-office hit.
I left our home to work on a movie, and while I was away, my boyfriend [Billy Bob Thorton] got married, and I've never heard from him again.
End Of School
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