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Kenya doesn't have much of an infrastructure for hosting a film.
It was just two energies between two people, you can't prescribe that.
In the studio system, things are expected of a film. By the first, second, third act, there's a generic language that comes out of the more commercial system.
In the best material, you always should be able to somehow make a case for a story to be transposed to any other time.
I'm sure acting is a deeply neurotic thing to do.
I went out to Mount Kilimanjaro, which I thought was very beautiful, but there were a lot of people there.
I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.
I was grateful to have two weeks to shoot this one scene in Harry Potter. It's a big, big scene, but they have to deliver. And they have high expectations.
I veer away from trying to understand why I act. I just know I need to do it.
I respond to a part just intuitively when I read a script.
I like to keep fit, but I never lift very heavy weights.
I have a lot of stuff I want to talk about and offer up. It would be odd not to have ideas about something.
I got to read some writings by serial killers, and they got inside my head. They were quite disturbing. I read disturbing stuff about that very detached way of manipulating people to do things.
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