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Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.
I'm the first to admit that I can't be as good as Tolkien, and a movie can never be as good as Tolkien.
I'm having the same problems today that I had when I first started, saying that outrageous adult animation works.
I would like to have the original ending to my Lord of the Rings instead of the one they released. In my original cut I had the victory at Helm's Deep as the final sequence.
I thought I had the rights to The Lord of the Rings. I don't know how Jackson ended up with the rights.
I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.
I had the X rating on my films. Now they do as much on The Simpsons as I got an X rating for Fritz the Cat.
I draw what I feel, which is no more than doing my job.
I animated 20 years at Terry Toons. It's important to know that animators like pizza and a raise once in a while, and you've got to treat them with love.
I am not interested in slickness for the sake of slickness.
Film has to describe and show.
Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.
Cartooning at its best is a fine art. I'm a cartoonist who works in the medium of animation, which also allows me to paint my cartoons.
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