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Nowadays, I really like playing in studios.
In the absence of that, I am happy to play solo, but I don't think there is any comparison.
In fact it's quite gratifying for me to see some of the people who really objected to this method of working now being quite so profligate in their use of it.
I've always liked the effect of having somebody in there who hadn't the faintest idea what was going on.
I'm not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.
I wouldn't want to be ideological about it but I think of it as being the best way to approach this kind of playing. I don't think it works in other music, other kinds of playing.
I think the blues is fine for blues players, but free blues has never made much sense to me.
I think playing solo is a second rate activity, really. For me, playing is about playing with other people.
I like duos with percussionists. I like the songs that percussionists sing.
I have always been attracted to the cottage industry side of this business.
I don't research anything.
I am reactive.
For me, playing is about playing with other people.
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