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Nowadays, I really like playing in studios.
In the absence of that, I am happy to play solo, but I don't think there is any comparison.
In fact it's quite gratifying for me to see some of the people who really objected to this method of working now being quite so profligate in their use of it.
I've always liked the effect of having somebody in there who hadn't the faintest idea what was going on.
I'm not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.
I wouldn't want to be ideological about it but I think of it as being the best way to approach this kind of playing. I don't think it works in other music, other kinds of playing.
I think the blues is fine for blues players, but free blues has never made much sense to me.
I think playing solo is a second rate activity, really. For me, playing is about playing with other people.
I like duos with percussionists. I like the songs that percussionists sing.
I have always been attracted to the cottage industry side of this business.
I don't research anything.
I am reactive.
For me, playing is about playing with other people.
I Love You So Much
Being Big And Not Caring
For A Beauty Pagantin
For The Blessing Of Life
Friends Trust Lied
I Need To Be Hopeless
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In Order To Be Someoneeone
Life Is Not A Mp3 Player Where You Ca
Love Is Like A T
Raulp Waldo Emerso
Relevance Of Jesus
Rely On Nobody
Smile My Daughter
True Lide Lidlid Lidlidid Lidlidlidlid
Wonted The Smile On Your Face
Your The Best Thing That Has Ever Happene
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