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One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury.
One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?
One can hardly be Indian and not know that almost every accent, which hand you eat your food with, has some deeper symbolic truth, reality.
My work is not about my life history. It's not about the story of my neurosis.
My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing.
Much of what I make is geometric, and has a kind of almost mathematical logic to the form.
Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic.
It's the role of the artist to pursue content.
It's precisely in those moments when I don't know what to do, boredom drives one to try a host of possibilities to either get somewhere or not get anywhere.
If you get a bad review, you take that in your stride.
I've nothing to say.
I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.
I'm not an artist who has an agenda that's set by the work.
Being Hurt By Someone You Love
Better Off Without You
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