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One of the things that upset me was some of the criticism leveled at Simon and Garfunkel. I always took exception to it, but actually I agree with a lot of it.
Not every song I write is ecstasy. And it can happen only one time. After that, when you sing the same melody and words, it's pleasure, but you don't get wiped out.
My whole artistic life has always been about change, change, change, move on, move on. It's the only thing I find interesting.
My voice is my improvisational instrument, the melody instrument. The guitar is harmonic structure. I'm not a good enough guitarist to improvise on it.
My life so common it disappears and sometimes even music cannot substitute for tears.
Mrs. Robinson is a little dated now, but it has nothing to do with Joe DiMaggio.
Listen to the sound of silence.
It's pointless to be critical of your stuff once it's done. I don't spend a lot of time agonising over it. It's of no importance once it's finished.
It's a big error to think that because you like somebody's work, you're going to like him.
Improvisation is too good to leave to chance.
I'm not in it for the money. I like music. I love to write music. I can't imagine myself not playing or singing or writing. It would just drive me crazy if I didn't.
I'm more interested in what I discover than what I invent.
I was eating in a Chinese restaurant downtown. There was a dish called Mother and Child Reunion. It's chicken and eggs. And I said, I gotta use that one.
Listen To Your Heart
Long Lost Friend
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