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One will never again look at a birch tree, after the Robert Frost poem, in exactly the same way.
On the other hand, at some level the mass of unresolved issues in Northern Ireland does influence the fact that there are so many good writers in the place.
Of course, you can't legislate for how people are going to read.
Obviously one of the things that poets from Northern Ireland and beyond - had to try to make sense of was what was happening on a day-to-day political level.
Living at that pitch, on that edge, is something which many poets engage in to some extent.
It seems to me the structure of the Quartets is too imposed.
I'm sure 50 percent of television ads use rhyme.
I was born in Northern Ireland in 1951. I lived most of my life there until 1986 or 1987.
I suppose for whatever reason I actively welcome being put down, something which perhaps goes back to my upbringing - that accusation of not being worthy which could be laid at one's door.
I live in New Jersey now, which always gets a bad rap here and there, but I must say, I enjoy living here too.
I do a lot of readings.
I certainly am interested in accessibility, clarity, and immediacy.
I believe that these devices like repetition and rhyme are not artificial, that they're not imposed, somehow, on the language.
Dont Trust Nobody
I Love You
Two Faced People
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