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Rare is the human being, immature or mature, who has never felt an impulse to pretend he is some one or something else.
George P Baker
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Out of the past come the standards for judging the present; standards in turn to be shaped by the practice of present-day dramatists into broader standards for the next generation.
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No drama, however great, is entirely independent of the stage on which it is given.
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In the best farce to-day we start with some absurd premise as to character or situation, but if the premises be once granted we move logically enough to the ending.
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In reading plays, however, it should always be remembered that any play, however great, loses much when not seen in action.
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In all the great periods of the drama perfect freedom of choice and subject, perfect freedom of individual treatment, and an audience eager to give itself to sympathetic listening, even if instruction be involved, have brought the great results.
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Farce treats the improbable as probable, the impossible as possible.
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Drama read to oneself is never drama at its best, and is not even drama as it should be.
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But what is drama? Broadly speaking, it is whatever by imitative action rouses interest or gives pleasure.
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Back through the ages of barbarism and civilization, in all tongues, we find this instinctive pleasure in the imitative action that is the very essence of all drama.
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Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops.
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