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SDC has a great reputation for putting live music on stage.
Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.
No one was creating and I always wanted to be created on.
Mostly, I'm in the very enviable position that no one dictates what I do.
It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.
It's not a company of exponents of my style.
If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.
I'm thrilled at the moment because our audiences, you know, they... the demographic is 50% male.
I'm interested in people who can take the movement somewhere.
I'm in the position to pick the cream of the crop.
I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.
I think the Olympics could help us reach more people.
I think it requires a bit of honesty, Swan Lake.
I Deserve Better
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