So There Is A Personal Sense Of Style For A Given Work - I Don't Like A General Style, But Every Work Has Its Own Style, And I Want To Create A Style For Every Work. - SearchQuotes

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So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.

Karlheinz Stockhausen

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Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo.

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Schaeffer gave me permission to work in the studio with a technician, but I've never worked with him.

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Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing.

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Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.

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Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public.

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One experiments and has to choose always the best results.

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No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular.

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It is true that the eyes dominate the ears in our time.

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In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.

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I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus.

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I no longer limit myself.

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I have composed several pieces which are performed outdoors, not only in the auditoria.

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