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That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation.
Sculpture occupies the same space as your body.
Red, of course, is the colour of the interior of our bodies. In a way it's inside out, red.
Red is a colour I've felt very strongly about. Maybe red is a very Indian colour, maybe it's one of those things that I grew up with and recognise at some other level.
Re-investing in one's own little moments of insight is very important.
One of the great currents in the contemporary experience of art is that it seems to come out of the experience of the author.
One must not believe any of those mythologies about oneself as an artist.
One doesn't make art for other people, even though I am very concerned with the viewer.
One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere.
One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury.
One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?
One can hardly be Indian and not know that almost every accent, which hand you eat your food with, has some deeper symbolic truth, reality.
My work is not about my life history. It's not about the story of my neurosis.
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