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The awkward moment when you catch yourself singing a song that you're supposed to hate.
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When I was a child, ladies and gentleman, I was a dreamer. I read comic books, and I was the hero in the movie. So every dream I ever dreamed has come true a hundred times...I learned very early in life that: Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bed -- without a song. So I keep singing my song.
I learned very early in life that: "Without a song, the day would never end; without a friend, a man ain't got a friend; without a song, the road would never bend- without a song" So I keep singing a song.
But the reality is when you write a song, you should be able to strip away all the instruments and just have a song right there with an acoustic guitar and a voice, and the song should be good.
Each member does whatever they want with the song and it totally changes it from whatever idea I hear around it. It turns it into a Sonic Youth song and completely away from it being a solo song.
What Madonna did with that song was to make the visual sell of the song maybe even more important than the song itself. And that was a revolution that has lasted for 20 years and counting.
Was reading a book. It was about a canary. Every year the canarycomes back with a new song. It never repeats its song in its lifetime. If a bird does it, we should certainly be able to do that: a new song for every season.
Medeski Martin And Wood
Well, Neighbours wanted to do a song on the show, and they asked me what songs I had. I told them I'd just written this song, called Born to Try, and I had just gone overseas and spoken to some people from Song about it.
A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.
For music, unlike a $500 software program, people are paying a buck or two a song, and it's those dollars and pennies that have to add up to pay for not just the cost of that song, but the investment in the next song.
When I first started at 17 in Los Angeles, the hit song was 'Complicated', and everyone wanted me to write a 'Complicated', I'm like, look that's Avril, this is me. Everybody loves that song - hopefully everyone will love my song.
I want my careless song to strike no minor key; no fiend to stand between my body's Southern song - the fusion of the South, my body's song and me.
When we went to cover it I thought we would change it to a song of loving and longing instead of the sex machine song Kylie turned it into. I've met Kylie and told her we were covering her song and she was pleased.
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