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The best thing I ever heard was in the '60s. I heard Jimi Hendrix play 'I Can Hear The Grass Grow' after a rehearsal, and it was brilliant.
Of course, the wind sort of swept up and the music was flying around in mid air and they were trying to play off it. You had to be there. It was quite funny.
I've always been that way. I'm not very good at reading music but I'm pretty quick at picking things up.
I've always been a bit of a Jekyll and Hyde. I always feel that you should keep singles as commercial as possible so that the people can walk down the road and whistle a song. But on the other hand on albums I think you can afford to show people what you can do.
I think we were probably playing live for about 12 months before we got a recording deal.
I think it was probably down to the fact that we weren't together personally as a band. We weren't pulling in the same direction. I always feel if you're having a good time in the studio it actually comes across on the tape and that was a bit of a miserable album for us.
I named it that because more or less each person from the band used to play in other bands and when we left respective bands other members from those bands all sort of changed round. It was a big sort of move thing. I got it from that, I suppose.
Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.
50th Wedding Anniversary
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