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The reason I turn down 99% of a hundred, I mean a thousand, scripts is because romantic comedies are often very romantic but seldom very funny.
The only reason my work seems to be eclectic up to a certain period is because I was a failure as an actor.
The moral of filmmaking in Britain is that you will be screwed by the weather.
Strangely enough I'm better on a stage. I love that I feel like I blossom in front of a whole bunch of people.
Plus, teaching brings home to you very fast that you actually know nothing. I didn't realize that before.
Neither Elizabeth or I are keen to do a real-life couple on the screen. It's not very electric.
Most actors really love it, that's what they want to do. They burn to do it. And so they'll read a script and think, that's an interesting part. And because they love acting, that blinds them to the fact that the rest of it is pretentious nonsense, which it very often is.
I'm a laugh tart. I make no secret of that fact.
I think that's the whole point of Bridget Jones. It's all about that it's okay to fail.
I think maybe in a way it gets worse because you come in with a real reputation and they've paid you lots of money and all that.
I had Courtney Love's left bosom out of her dress on my plate in front of me. It was extraordinary. I didn't know where to look.
I find it hard to understand why Scorsese has never called. You know, given the natural menace I bring to the screen.
I don't think there's much point in putting me a deep, dark, heavy, emotional film because there are people who do it so much better than I do.
Keeping It Real
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