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There's something imminent in the work, but the circle is only completed by the viewer.
The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
The idea is that the object has a language unto itself.
The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately.
That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation.
Sculpture occupies the same space as your body.
Red, of course, is the colour of the interior of our bodies. In a way it's inside out, red.
Red is a colour I've felt very strongly about. Maybe red is a very Indian colour, maybe it's one of those things that I grew up with and recognise at some other level.
Re-investing in one's own little moments of insight is very important.
One of the great currents in the contemporary experience of art is that it seems to come out of the experience of the author.
One must not believe any of those mythologies about oneself as an artist.
One doesn't make art for other people, even though I am very concerned with the viewer.
One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere.
Men And Women
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