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Tom would bring in songs, Mike would engineer, and we recorded about 30 songs.
Sometimes you work with somebody you've never heard of because you just feel like working.
Jeff Lynne is an arranger, and I think it's probably much easier for him to go ahead and play a part himself than to try to show somebody else what he wants. But it's hard for me to say; I barely know Jeff.
If you call attention to yourself at the expense of the song, that's the cardinal sin.
I'm playing 10 feet from Mike Campbell every night. I look across the stage, there's Howie. Tom's in the middle and we're playing all this stuff I love. It's great.
I try to find little things that you can do to move the song along and things that serve the song.
I think we've always been better live.
I loved working with Bob Dylan.
I loved Mal Evans holding one note down on You Won't See Me from Rubber Soul.
I got to play on a couple of records with the Rolling Stones, and that was really special to me.
I don't know about five guys against the world. It's more like five guys against these three chords, and we're gonna wrestle 'em down no matter what it takes.
Fortunately, as we all know, it's impossible for anybody but Jimmy Smith to really sound like Jimmy Smith.
Besides, I'm fairly incompetent. I can't play that fast.
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