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Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Robert Rauschenberg
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There was a whole language that I could never make function for myself in relationship to painting and that was attitudes like tortured, struggle, pain.
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The only thing that I could get with chance, and I never was able to use it, was that I would end up with something quite geometric or the spirit that I was interested in, indulging in, was gone.
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The artist's job is to be a witness to his time in history.
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So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with because I think that symmetry is a neutral shape as opposed to a form of design.
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I'm sure we don't read old paintings the way they were intended.
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I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
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I wouldn't use the same color in a picture in more than one place.
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I think maybe chance works better in a situation like music because music exists over a period of time, and you don't maintain constantly the you can't refer back from one area to another area.
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