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What I do is draw but if you make an animated feature obviously it takes a whole team of people, and Zippy is my work. I felt that turning it over to a team of people would be wrong.
Well, I've done a lot of strips since I've been here about Zippy and me being in Connecticut.
Unfortunately what came out of it was also kind of an imitation community with a lot of mindless conformity.
Then I abandoned comics for fine art because I had some romantic vision of being like Vincent Van Gogh Jr.
Their scrambled attention spans struck me as a metaphor for the way we get our doses of reality these days.
The down side of Americans being obsessed with pop culture is that they kind of like it light.
She encouraged any artistic impulse I had, and my father discouraged any artistic impulse I had. They took out their problems with each other on me and my sister.
My first character was Mr. Toad.
Mike Judge, who I've become friends with over the years never took himself seriously as an artist.
Looking back Little Lulu was an early feminist, but at the time I just thought she was a really feisty developed comic strip character.
Jazz, rock and roll, movies and comics are the culture of America.
If something is going on in my life, it winds up getting into my strip.
I went to an art school in Brooklyn and painted Fine Art, if that's what you'd call it for eight years in New York, until I saw the first underground comics in the East Village Other.
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