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When I take a picture I take 10 percent of what I see.
When I started working for Rolling Stone, I became very interested in journalism and thought maybe that's what I was doing, but it wasn't.
When I say I want to photograph someone, what it really means is that I'd like to know them. Anyone I know I photograph.
What I learned from Lennon was something that did stay with me my whole career, which is to be very straightforward. I actually love talking about taking pictures, and I think that helps everyone.
What I end up shooting is the situation. I shoot the composition and my subject is going to help the composition or not.
What I am interested in now is the landscape. Pictures without people. I wouldn't be surprised if eventually there are no people in my pictures. It is so emotional.
There must be a reason why photographers are not very good at verbal communication. I think we get lazy.
There are still so many places on our planet that remain unexplored. I'd love to one day peel back the mystery and understand them.
The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo!
The pictures of my family were designed to be on a family wall, they were supposed to be together. It was supposed to copy my mother's wall in her house.
The camera makes you forget you're there. It's not like you are hiding but you forget, you are just looking so much.
Sometimes I enjoy just photographing the surface because I think it can be as revealing as going to the heart of the matter.
No one ever thought Clint Eastwood was funny, but he was.
Good Night Messages
I Love You So Much
Keeping It Real
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